Última actualización Rochi Igarzábal recounts a sign after Ernestina Pais's death
sábado 5 de septiembre
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Rochi Igarzábal recounts a sign after Ernestina Pais's death

The actress said in a radio interview that a stranger in a waiting room told her about the son who assisted Pais, and that another patient sang a song she shared with her friend.

Por · Publicado: septiembre 5, 2026
Rochi Igarzábal relató una señal tras la muerte de Ernestina Pais

Rocío Igarzábal, actress and friend of Ernestina Pais, recounted an experience she had three days after the host’s death, which occurred on June 26 in San Isidro. In an interview with the program Perros de la calle (Urbana Play) aired on September 4, Igarzábal said that a stranger in a waiting room mentioned that her son had assisted Pais in her final moments, and that another patient began to sing a song that both friends used to listen to together.

The actress’s account

According to her testimony, on Monday, June 29, three days after Pais’s death, Igarzábal had an appointment for a spinal scan. In the waiting room there were three people: an elderly woman, a young woman with her son, and herself. The woman, seated next to her, asked if she was a friend of Ernestina and told her that her son had been the last person to assist her, seeing her in her final seconds of life. Then, when the woman was called, the young woman who was four seats away began to sing aloud “Todo está aquí,” by Julieta Venegas, the same song that Igarzábal and Pais had listened to together in the car.

The song and its meaning

Igarzábal explained that that song was one of her favorites and that it had inspired her to compose a piece for her daughter Lupe, which will be part of her next album. Hearing it in that context, she felt it was a sign that Pais was fine. “I got goosebumps. I felt that she was telling me that she was fine,” she said. Since then, Julieta Venegas holds an important place in her life.

Verifiable data in the sources

Differences and limits between sources

La Nación is the only source covering Igarzábal’s account, with direct quotes and context of the accident. La Derecha Diario, on the other hand, addresses a completely different topic, so there are no coincidences or contradictions between the two. No primary source is available (for example, the audio of the interview or a statement from Igarzábal) to directly contrast her words; La Nación acts as a secondary source reproducing her statements.

Value module: verifiable data from the account

Data Detail
Date of accident June 26 (La Nación)
Date of the sign Monday, June 29, three days later (La Nación)
Place of the sign Waiting room of a medical center (La Nación)
Song involved “Todo está aquí” by Julieta Venegas (La Nación)
People in the room Three: an elderly woman, a young woman with her son, and Rochi (La Nación)

Document: La Nación article dated September 5, 2026 (publication date according to URL). Organization and date: Not applicable, it is a media outlet. Unit: Days elapsed between the death and the anecdote. Values used: Death on June 26, anecdote on June 29. Operation: 29 – 26 = 3 days. No currency or unit conversions are made.

What to follow up on

It would be relevant to confirm whether the full interview of Igarzábal on Perros de la calle is available in audio or video, to verify the accuracy of the quotes. It could also be checked whether the production of the play El divorcio del año issued any statement about the impact of the accident on the cast. So far, only La Nación’s account is available, so any other version or statement from Igarzábal or witnesses could provide more context.

Fuentes consultadas

El Sereno contrastó las fuentes enlazadas y añadió contexto, comparación o análisis documental. Las fuentes primarias están identificadas. La nota no se presenta como investigación de campo ni como entrevista propia, salvo indicación expresa.

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